BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:1362@events.rheinmain.social SUMMARY:Open Studio of the ID_Tanzhaus Residency Program 2026 DTSTAMP:20260901T183722Z DTSTART:20260912T150000Z DESCRIPTION:Throughout August and September\, the selected artists have thr ee weeks to\ndevelop their projects. At the end of the residency\, the Ope n Studio offers\naudiences the opportunity to meet the artists and discove r their work through\npresentations of works in progress\, production run- throughs\, and performative\nexperiments.\n\nAdmission is free.\n\nAll pub lic areas of Frankfurt LAB are accessible at ground level or via small\nra mps. The venue includes a wheelchair-accessible restroom.\n\nReservations are recommended – simply register here\n[https://cryptpad.fr/form/#/2/form /view/vvqLV9FdaKtOkaEZuW78NQBOJ4X3FkQPs6wQ0m3U11A/].\n\n“Gatherings of Con solation” by Santiago Mariño presents the results of an\ninitial research phase for a project that connects South American poetry by\nPiedad Bonnett and María Mercedes Carranza with embodied dance memories of the\nSouth Am erican diaspora in Germany. The two art forms enrich one another:\nmovemen t\, voice\, stage design\, and interaction with the audience enter into\nd ialogue. The audience is invited to sit\, read\, and move together in an e xercise\nthat builds a bridge between social and artistic forms of express ion.\n\nHanna Launikovich’s “she-zoo/schizo/ШIЗА” explores what happens to the body when\nviolence becomes imaginable. Drawing on accounts and exper iences of Belarusian\npolitical prisoners\, the piece asks: How does the f emale body survive when the\nspace in which it is held captive denies it? How can experiences of captivity be\ntranslated into movement? A choreogra phic and sonic exploration of the bodies of\nthose imprisoned and those wh o fear they themselves may become captive.\n\n“Trickster-Rauschen” by Ida Daniel and Todor Stoyanov is a choreographic\nresearch project exploring w hat happens when a digital strategy designed to\nsabotage exploitative AI practices enters the space. Self-built sound machines\,\neveryday expressi ons\, and the voice become the material for a process concerned\nas much w ith listening and movement as with invisibility and resistance. A\nperform ance-lecture presenting the initial findings of an ongoing project.\n\n URL:https://events.rheinmain.social/event/open-studio-of-the-id_tanzhaus-re sidency-program-2026 LOCATION:Frankfurt LAB - Schmidtstraße 12\, 60326 Frankfurt am Main STATUS:CONFIRMED CATEGORIES: X-ALT-DESC;FMTTYPE=text/html:

Throughout August and September, the select ed artists have three weeks to develop their projects. At the end of the r esidency, the Open Studio offers audiences the opportunity to meet the art ists and discover their work through presentations of works in progress, p roduction run-throughs, and performative experiments.

Admission is f ree.

All public areas of Frankfurt LAB are accessible at ground leve l or via small ramps. The venue includes a wheelchair-accessible restroom.

Reservations are recommended – simply register here.

“Gatherings of Consolation” by Santiago Mariño presents the results of an initial research phase for a project that connects South American poetry by Piedad Bonnett and María Mercedes Carra nza with embodied dance memories of the South American diaspora in Germany . The two art forms enrich one another: movement, voice, stage design, and interaction with the audience enter into dialogue. The audience is invite d to sit, read, and move together in an exercise that builds a bridge betw een social and artistic forms of expression.

Hanna Launikovi ch’s “she-zoo/schizo/ШIЗА” explores what happens to the body when violence becomes imaginable. Drawing on accounts and experiences of Belar usian political prisoners, the piece asks: How does the female body surviv e when the space in which it is held captive denies it? How can experience s of captivity be translated into movement? A choreographic and sonic expl oration of the bodies of those imprisoned and those who fear they themselv es may become captive.

“Trickster-Rauschen” by Ida Daniel an d Todor Stoyanov is a choreographic research project exploring wh at happens when a digital strategy designed to sabotage exploitative AI pr actices enters the space. Self-built sound machines, everyday expressions, and the voice become the material for a process concerned as much with li stening and movement as with invisibility and resistance. A performance-le cture presenting the initial findings of an ongoing project.

BEGIN:VALARM ACTION:DISPLAY DESCRIPTION:Open Studio of the ID_Tanzhaus Residency Program 2026 TRIGGER:-PT1H END:VALARM END:VEVENT END:VCALENDAR