BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:1363@events.rheinmain.social SUMMARY:Open Studio of the ID_Tanzhaus Residency Program 2026 DTSTAMP:20260901T183841Z DTSTART:20260912T150000Z DTEND:20260912T170000Z DESCRIPTION:Three residency projects will offer insights into their current creative\nprocesses and artistic research.\n\nThroughout August and Septe mber\, the selected artists have three weeks to\ndevelop their projects. A t the end of the residency\, the Open Studio offers\naudiences the opportu nity to meet the artists and discover their work through\npresentations of works in progress\, production run-throughs\, and performative\nexperimen ts.\n\nThe Open Studio is a Relaxed Performance. Audience members are welc ome to enter\nand leave at any time during the event. Childcare will be av ailable.\n\nAdmission is free.\n\nAll public areas of Frankfurt LAB are ac cessible at ground level or via small\nramps. The venue includes a wheelch air-accessible restroom.\n\nReservations are recommended – simply register here\n[https://cryptpad.fr/form/#/2/form/view/vvqLV9FdaKtOkaEZuW78NQBOJ4X 3FkQPs6wQ0m3U11A/].\n\n“Gatherings of Consolation” by Santiago Mariño pres ents the results of an\ninitial research phase for a project that connects South American poetry by\nPiedad Bonnett and María Mercedes Carranza with embodied dance memories of the\nSouth American diaspora in Germany. The t wo art forms enrich one another:\nmovement\, voice\, stage design\, and in teraction with the audience enter into\ndialogue. The audience is invited to sit\, read\, and move together in an exercise\nthat builds a bridge bet ween social and artistic forms of expression.\n\nHanna Launikovich’s “she- zoo/schizo/ШIЗА” explores what happens to the body when\nviolence becomes imaginable. Drawing on accounts and experiences of Belarusian\npolitical p risoners\, the piece asks: How does the female body survive when the\nspac e in which it is held captive denies it? How can experiences of captivity be\ntranslated into movement? A choreographic and sonic exploration of the bodies of\nthose imprisoned and those who fear they themselves may become captive.\n\n“Trickster-Rauschen” by Ida Daniel and Todor Stoyanov is a ch oreographic\nresearch project exploring what happens when a digital strate gy designed to\nsabotage exploitative AI practices enters the space. Self- built sound machines\,\neveryday expressions\, and the voice become the ma terial for a process concerned\nas much with listening and movement as wit h invisibility and resistance. A\nperformance-lecture presenting the initi al findings of an ongoing project. URL:https://events.rheinmain.social/event/open-studio-of-the-id_tanzhaus-re sidency-program-2026-1 LOCATION:Frankfurt LAB - Schmidtstraße 12\, 60326 Frankfurt am Main STATUS:CONFIRMED CATEGORIES: X-ALT-DESC;FMTTYPE=text/html:

Three residency projects will offer insight s into their current creative processes and artistic research.

Throu ghout August and September, the selected artists have three weeks to devel op their projects. At the end of the residency, the Open Studio offers aud iences the opportunity to meet the artists and discover their work through presentations of works in progress, production run-throughs, and performa tive experiments.

The Open Studio is a Relaxed Performance. Audience members are welcome to enter and leave at any time during the event. Chil dcare will be available.

Admission is free.

All public areas o f Frankfurt LAB are accessible at ground level or via small ramps. The ven ue includes a wheelchair-accessible restroom.

Reservations a re recommended – simply register here.

“Gath erings of Consolation” by Santiago Mariño presents the results of an initial research phase for a project that connects South American poet ry by Piedad Bonnett and María Mercedes Carranza with embodied dance memor ies of the South American diaspora in Germany. The two art forms enrich on e another: movement, voice, stage design, and interaction with the audienc e enter into dialogue. The audience is invited to sit, read, and move toge ther in an exercise that builds a bridge between social and artistic forms of expression.

Hanna Launikovich’s “she-zoo/schizo/ШIЗА” explores what happens to the body when violence becomes imaginable. Drawing on accounts and experiences of Belarusian political prisoners, th e piece asks: How does the female body survive when the space in which it is held captive denies it? How can experiences of captivity be translated into movement? A choreographic and sonic exploration of the bodies of thos e imprisoned and those who fear they themselves may become captive.

“Trickster-Rauschen” by Ida Daniel and Todor Stoyanov is a choreographic research project exploring what happens when a digital str ategy designed to sabotage exploitative AI practices enters the space. Sel f-built sound machines, everyday expressions, and the voice become the mat erial for a process concerned as much with listening and movement as with invisibility and resistance. A performance-lecture presenting the initial findings of an ongoing project.

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